Charlie Olvera: A Blog

Month

April 2009

27 posts

Hello, good mood.

colinweaver:

Good Mood: Hey dude, why are you in such a good mood?

Colin: Dude, it’s fucking crazy, I have no idea!

Good Mood: I love you.

Colin: Dude, I love you too.

Good Mood: Could it have something to do with watching Billy Mays’ show?

Colin: Yeah, maybe that’s partially why I’m in such a good mood.

Good Mood: Nice.

Rarely do I reblog things, especially when they aren’t music-related, but I had to do this because I am watching it as well and I was literally thinking the EXACT SAME THING.  Pitchmen is one of the greatest things to have ever happened to television.  Now, if only they could get Vince Offer on this show…it would probably actually cause television to collapse upon the event horizon of awesomeness.

Apr 30, 200910 notes
Telematic Ensemble Concert Streaming Link → music.iupui.edu

If, like most Tumblrinos, you won’t be in or around Indianapolis this Thursday night, point your browser to this link and watch the Telematic Ensemble concert online!  We will be performing with Pauline Oliveros, among other luminaries, and the highlight of the evening (at least for me) will be the premiere of my new work, “Modifiers #1” by the ensemble BASILICA.  Please watch: it will be a great time!

Apr 28, 20091 note
And the facts were these...
  • Interviewer: Is Ringo the best drummer in the world?
  • John Lennon: Ringo isn't even the best drummer in The Beatles.
Apr 27, 2009
Listen

While we’re talking about Reich (okay, while I’M talking about Reich), here’s a little “teaser” of my forthcoming recording of Electric Counterpoint.  This is from III (Fast).

Apr 27, 2009
Play
Apr 27, 20092 notes
McSweeney's Internet Tendency: Cookie Monster Searches Deep Within Himself and Asks: Is Me Really Monster? → mcsweeneys.net

Listen: I know this has nothing to do with music, but it is so awesome that I don’t even care.  I know I’m way late to this (as I’m sure intrepid McSweeney’s readers will be quick to point out but who the hell cares this isn’t a ‘reblog everything that is McSweeney’s or sounds vaguely impish like McSweeney’s stuff always does’ kind of blog) but I still love Cookie Monster so much it hurts.

Apr 27, 2009
Apr 26, 2009
Apr 25, 20092 notes
Apr 25, 2009
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Apr 24, 20091 note
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Apr 23, 2009
Apr 22, 2009
Listen

I wrote this as a “preshow” for a marching band in Kentucky that I work for as an arranger.  This kind of thing is designed to be played as a band takes the field and sets up equipment, and sort of gives the audience a more fully-figured performance, sort of in the same way that you would hear background music in the tent before Cirque Du Soleil started to perform.  

I started by fooling around with some weird, processed percussion sounds, and ended up with this Nine Inch Nails sort of vibe in the middle section, before going back and adding/restating some of the melodic themes that the band will actually play.  The reason for the slow, repetitive taper at the end is that the percussionists actually filter in and improvise over the top of the material, making a (hopefully) seamless transition from the pre-recorded show to the live material.

One of the neat things about these “preshow” segments is that they give the audience a chance to hear the thematic material before the show actually starts; it’s a nice way to ease people who haven’t seen that particular show before into the experience.  Frankly, I think this stands pretty well on its own, in a sort of “Ghosts I-IV” way.  Enjoy!

Apr 21, 2009
Apr 20, 20092 notes
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Apr 20, 2009
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Apr 20, 20092 notes
Apr 19, 2009
MP3: Scientific Attempt To Create Most Annoying Song Ever | Listening Post from Wired.com → blog.wired.com

(via yousoldtheworld)

This is pretty cool.  However, they are wrong about America’s most wanted song, which is, of course, this song.

Apr 16, 20091 note
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Apr 15, 2009
Apr 14, 2009
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Apr 14, 2009
LTHForum.com • View topic - Hot Doug's-- the music of changes → lthforum.com

This may not seem, superficially, like a music link, but read on, dear reader, and you will see why I’ve linked it here.

Apr 12, 2009
Play
Apr 11, 2009
I'm sorry...

That I haven’t been on here in close to two weeks.  My schedule has been super-hectic: between coordinating rehearsals for the premiere of my new piece, “Modifiers #1”, writing chromakeying software in Max/MSP/Jitter for the video portion of the piece, re-tooling the proposal for my graduate thesis, and fending off burglars (yes, our house got broken into this week.  It sucked.  Now we live in a bank vault like the guy from Aphex Twin.  Yes, I know his name is Richard D. James.  It’s funnier to call him the guy from Aphex Twin.) I just haven’t had the time to devote space in my brain to blogging.  However, I wanted to keep the blogging faithful abreast of some future projects: most of these amount to “what I’m going to do with my summer vacation”, but I think they’re pretty neat, so maybe you guys will too.

1: I’ve been commissioned to write a new piece for snare drum, which I’m totally pumped about.  I’ve wanted to write a snare drum piece for a while, and I have some exciting ideas regarding how to write for it.  I’m tired of hearing snare drum repertoire that centers around the whole “harder-faster-louder-longer” aesthetic: those values reduce the instrument to a stunt drum, reserved for displays of technical prowess and gimmicky tricks.  Very few composers have actually explored the unique timbral properties of the drum; fewer still have investigated the instrument’s nearly singular ability (as a percussion instrument) to produce sound without being struck.  I think that exploring the ways the drum can produce sound without being hit will be a fascinating journey, and I can’t wait to start!

2: I’m looking for a space to start work on this installation I’m planning for next year.  I don’t want to talk about it much, other than to say that it will be completely interactive and very cool from an audience-experiental standpoint.

3: I think I’m going to learn Xenakis’ “Rebonds” this summer, something I’ve said I want to do for the past four or five summers.  I have the score, so I think I’m finally going to bite the bullet and do it this summer.

4 (and this might be the most exciting one): tomorrow, I’m going to start recording Steve Reich’s “Electric Counterpoint”.  It’s probably my favorite piece of contemporary music, and I have a really special connection to it: it’s the first piece of non-pop music that I had ever heard by a post-1950 composer.  Without “Electric Counterpoint”, it is safe to say that my life would be completely different: very simply put, the last eight years of my life would be completely different.  I would not be a serious percussionist, a scholar of contemporary music, a music theorist, or an electronic musician without it; all those pithy little job descriptions you see to the left of this text would be replaced by something like “miserable law student” or “high school history teacher”.  And what fun would this blog be THEN?  I owe it to this piece of music to render it the way I have always heard it in my head, and words can’t express how much I’m looking forward to absorbing myself in this piece.

This, really, is as close to a personal mission statement as I might ever get.  It is only when I am pursuing these sorts of endeavors, things that get me in way over my head and threaten never to release me, things that are time-consuming, personally taxing, and emotionally draining, that I TRULY feel like I am doing something of value, that I am fulfilling my “purpose”, or however you’d like to term it.  I am gradually realizing that this kind of artistic and intellectual engagement isn’t something that I do; rather, it’s what defines me.  Everything else seems ancillary and superficial by comparison.  When I take on a project like the four I listed above, I feel focused, directed, in a way that I rarely feel otherwise: I am “in my element” sitting in a coffeehouse and writing until 2 AM, or holing up in some windowless studio writing Max patches and recording the same take over and over until it’s satisfactory.

I’ll try to blog as often as I can during the process: I apologize once again for my absence, and I guarantee that I’ll be posting more soon!

Apr 11, 2009
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